Richard Lippold’s midcentury sculpture “Orpheus and Apollo” has found a new home at La Guardia Airport’s Atrium Business and Conference Center after being dismantled in 2014. Weighing an impressive five tons, the sculpture has been given a second chance at life through the efforts of preservationists, engineers, conservators, and installers. Originally commissioned by Max Abramovitz, the Philharmonic’s architect, the sculpture was suspended from the ceiling of Lincoln Center’s glass atrium. Safety concerns led to its removal, leaving its future uncertain until it was reassembled at La Guardia Airport. While opinions differ regarding its relocation, the sculpture will now be preserved for public display, adding to the Port Authority’s commitment to showcasing major artworks at their airports. With the use of 3D technology and meticulous planning, the restoration and installation of this iconic sculpture speaks to the dedication and intricate care taken to ensure its fidelity to the original conception.
Richard Lippold’s midcentury sculpture finds new home at La Guardia Airport
Richard Lippold’s midcentury sculpture, “Orpheus and Apollo,” has found a new home at the Atrium Business and Conference Center at La Guardia Airport. This monumental piece, weighing five tons, was successfully preserved and reassembled thanks to the efforts of preservationists, a negotiation between Lincoln Center and the Port Authority, and the expertise of engineers, conservators, and installers.
Background of Richard Lippold’s midcentury sculpture
Commissioned by Max Abramovitz, the architect of the Philharmonic, Richard Lippold’s sculpture was originally suspended from the ceiling of the concert hall’s glass atrium at Lincoln Center. This suspended installation instantly became an iconic feature of the venue, captivating visitors with its ethereal beauty and intricate design.
Dismantling of the sculpture in 2014
In 2014, safety concerns arose surrounding the suspended sculpture, leading to its removal from Lincoln Center. The uncertain future of the sculpture sparked a sense of urgency among those passionate about preserving this midcentury masterpiece.
Efforts to preserve and relocate the sculpture
Leveraging a team of preservationists, negotiations between Lincoln Center and the Port Authority ensued to find a new home for the sculpture. These discussions paved the way for the collaboration of engineers, conservators, and installers who would work tirelessly to ensure the integrity and longevity of the sculpture.
Installation at the Atrium Business and Conference Center
La Guardia Airport’s Atrium Business and Conference Center became the chosen location for the reinstallation of Richard Lippold’s sculpture. This new glass-enclosed facility not only offers a visually stunning backdrop for the artwork but also ensures public access, making it an ideal venue for exhibiting this iconic piece.
Utilization of 3D technology in restoration
The preservation and restoration process of the sculpture benefited greatly from advancements in 3D technology. Engineers utilized this cutting-edge technology to create precise digital models of the sculpture, allowing for meticulous planning and analysis. This level of detail ensured the accuracy and fidelity to Lippold’s original artistic vision.
Opinions on the relocation
Opinions on the relocation of “Orpheus and Apollo” vary among art enthusiasts and the general public. Some perceive the move as a win, as it ensures the preservation and public display of the sculpture. Others, however, express dissatisfaction with the displacement of the artwork and the loss of its historical connection to Lincoln Center.
Port Authority’s involvement in art stewardship
The Port Authority has played a vital role in art stewardship, not only through the preservation and relocation of Richard Lippold’s sculpture but also by overseeing other major artworks. The presence of art within the Port Authority airports has become a signature feature, enriching the travel experience and showcasing the importance of cultural heritage.
Adjustments and fidelity to the original conception
To accommodate the new space at the Atrium Business and Conference Center, adjustments were made to the dimensions of the sculpture. Careful consideration was given to ensure that these modifications maintained the original intent and artistic vision of Richard Lippold. This dedication to fidelity preserves the essence of the sculpture, despite its relocation.
Dissatisfaction and opportunities for increased visibility
Despite the preservation and relocation of Richard Lippold’s sculpture, there are those who express disappointment at its displacement from its original location at Lincoln Center. However, this relocation also offers an opportunity for increased visibility and accessibility to the public. As the sculpture now resides at La Guardia Airport, it can captivate a wider audience, potentially introducing new admirers to the world of midcentury art.
In conclusion, Richard Lippold’s midcentury sculpture, “Orpheus and Apollo,” has been successfully preserved and relocated to the Atrium Business and Conference Center at La Guardia Airport. The collaboration between preservationists, the negotiation between Lincoln Center and the Port Authority, and the meticulous efforts of engineers, conservators, and installers have ensured the longevity and public display of this iconic piece. While there are differing opinions on the relocation, the sculpture’s preservation and the Port Authority’s commitment to art stewardship reflect the importance of cultural heritage within public spaces. The adjustments made during the installation process maintain the sculpture’s fidelity to the original conception while offering an opportunity for increased visibility and accessibility to the public. Richard Lippold’s midcentury masterpiece will continue to inspire and captivate audiences at its new home in the Atrium Business and Conference Center at La Guardia Airport.
