Artforum, the prestigious art magazine, has selected Tina Rivers Ryan as its new top editor. After a year of turmoil, the magazine seeks stability under Ryan’s leadership. With her background as a curator at the Buffalo AKG Art Museum and her specialization in digital art, Ryan brings a fresh perspective to Artforum. Her appointment comes after the firing of the previous editor in chief, which resulted in staff resignations, artist boycotts, and a decline in the magazine’s content. As Artforum’s new editor, Ryan aims to uphold the magazine’s reputation for publishing high-quality long-form criticism while also expanding its digital presence and hosting engaging events.
Tina Rivers Ryan’s selection as Artforum’s new top editor
Background information on Tina Rivers Ryan
Tina Rivers Ryan, a curator at the Buffalo AKG Art Museum, has been named as Artforum’s new top editor. With a specialization in digital art, Ryan brings a unique perspective to the role, having already contributed to the magazine in the past. She has garnered recognition for her work, particularly for her essay criticizing the NFT boom. This experience and expertise make her an excellent fit for leading Artforum in the digital age.
Artforum’s decision to appoint Tina Rivers Ryan
After a tumultuous year for the magazine, Artforum’s decision to appoint Tina Rivers Ryan as its new top editor signifies a fresh start. The firing of David Velasco, the previous editor in chief, triggered controversy and led to the resignation of long-time editors and an artist boycott. Ryan’s appointment represents a new direction for Artforum and a commitment to rebuilding the publication’s reputation.
The significance of the appointment after a period of turmoil
Following a period of turmoil, Tina Rivers Ryan’s selection as Artforum’s top editor holds great significance. Artforum has a long-standing history as a historic and prestigious art magazine, and Ryan’s appointment marks a turning point for the publication. It demonstrates Artforum’s determination to move past the events of the past year, rebuild its relationships with artists and contributors, and regain its position as a trusted resource in the art world.
Artforum’s history and reputation
Overview of Artforum as a historic and prestigious art magazine
Artforum has a rich history as one of the leading art magazines in the world. It was founded in 1962 and has since become a renowned publication for critical writing on contemporary art and culture. Over the years, it has provided an essential platform for artists, critics, and curators to engage in meaningful conversations and debates about art. Its commitment to long-form criticism and thoughtful analysis has solidified its reputation as a respected voice in the art world.
Importance of Artforum in the art world
Artforum’s importance in the art world cannot be overstated. It has played a crucial role in shaping artistic discourse and driving the conversation surrounding contemporary art. The magazine has been instrumental in introducing new artists and movements, providing a platform for emerging voices, and offering insightful analysis and reviews. Many artists, curators, and collectors look to Artforum for its critical perspectives and authoritative coverage.
Its role as a trusted resource for contemporary art and culture
Artforum has established itself as a trusted resource for contemporary art and culture. Its in-depth features, interviews, and reviews provide valuable insights into the artistic process, the latest trends, and significant developments in the art world. The magazine’s reputation for rigorous and thoughtful analysis has made it an indispensable tool for artists, scholars, and art enthusiasts seeking to stay informed and engaged with the ever-evolving landscape of contemporary art.
The turmoil at Artforum
Firing of David Velasco, the previous editor in chief
Five months ago, Artforum faced significant turmoil with the firing of its editor in chief, David Velasco. Velasco was dismissed after signing and publishing a letter calling for Palestinian liberation during the Israel-Hamas war. This decision sparked controversy and divided the magazine’s staff and contributors.
Controversy surrounding Velasco’s termination
Velasco’s termination was met with mixed reactions among Artforum’s staff and contributors. While some supported the decision, others were upset by the sudden dismissal and saw it as an infringement on freedom of speech. This controversy further strained relationships between the magazine and its employees, leading to long-time editors resigning and artists declaring a boycott.
Resignation of long-time editors and artist boycott
In response to Velasco’s firing, several long-time editors decided to resign from their positions at Artforum. Their departures were seen as a protest against the magazine’s handling of the situation and a reflection of their dissatisfaction with the direction it was taking. Additionally, artists announced a boycott of the magazine, refusing to contribute their work or participate in its events.
Impact on the publication’s content and advertisers
The turmoil at Artforum had a significant impact on the magazine’s content and relationships with advertisers. Some writers pulled their essays from the publication, causing a noticeable decline in the issue’s content. Furthermore, advertisers withdrew their support and pulled their spots from the magazine, resulting in a loss of revenue. These consequences further exacerbated the challenges facing Artforum in the wake of the controversy.
Efforts to rebuild Artforum
Penske Media Corporation’s ownership of Artforum
Penske Media Corporation, the owner of Artforum, has been actively involved in efforts to rebuild the magazine. Recognizing the need for change and a fresh start, the corporation has taken steps to address the aftermath of the turmoil. Their ownership provides resources and support that are crucial for Artforum’s revival.
Steps taken to address the aftermath of the turmoil
To recover from the recent turmoil, Artforum has taken several important steps. The appointment of Tina Rivers Ryan as the new top editor is a critical move in reestablishing the magazine’s direction and credibility. Artforum has also engaged in open dialogue with its staff, contributors, and artists to address the concerns raised during the controversy. These conversations aim to foster a more inclusive and supportive environment going forward.
Challenges faced in rebuilding the magazine’s reputation
Rebuilding Artforum’s reputation is no easy task. The publication must regain the trust of its contributors, artists, and readers after the recent events. This will require a careful balance of transparency, accountability, and a renewed commitment to the values that Artforum has historically represented. Additionally, restoring relationships with advertisers and attracting new ones will be crucial in ensuring the financial stability of the magazine.
Tina Rivers Ryan’s contributions to Artforum
Overview of Ryan’s previous contributions to the magazine
Tina Rivers Ryan has already made valuable contributions to Artforum in the past. Her expertise in digital art, combined with her curatorship at the Buffalo AKG Art Museum, has brought a fresh perspective to the magazine. Ryan’s previous articles and essays have offered thoughtful analysis and critical insights into the contemporary art world.
Recognition for her essay criticizing the NFT boom
Ryan gained recognition for her essay criticizing the NFT boom, a popular topic in the art world. Her piece provided nuanced commentary on the phenomenon, provoking thoughtful discussions among artists, collectors, and enthusiasts. This recognition speaks to Ryan’s ability to navigate complex issues and her commitment to delivering substantive and engaging content.
Her involvement in organizing online exhibitions and fundraisers
In addition to her writing, Tina Rivers Ryan has been actively involved in organizing online exhibitions and fundraisers. These initiatives have showcased the work of emerging artists and raised funds for various art-related causes. Ryan’s dedication to supporting artists and facilitating opportunities for their work to be seen is a testament to her commitment to the art community.
Expectations for Tina Rivers Ryan’s leadership
Artforum publishers’ statement on Ryan’s appointment
Artforum’s publishers, Danielle McConnell and Kate Koza, expressed their excitement for Tina Rivers Ryan’s appointment and the future of the magazine under her editorial helm. They praised Ryan for her brilliance as a writer and her unique positioning to uphold Artforum’s reputation for publishing high-quality long-form criticism. They also emphasized Ryan’s potential to contribute to the expansion of the magazine’s audience through digital growth and live events.
Ryan’s qualifications and expertise for the role
Tina Rivers Ryan’s qualifications make her well-suited for the role of Artforum’s top editor. Her background in curating digital art and her experience as a writer give her a strong foundation in understanding the complexities of contemporary art. Ryan’s ability to engage with diverse perspectives, her critical thinking skills, and her dedication to fostering meaningful conversations make her an ideal leader for the magazine.
The vision for Artforum under her editorial helm
Under Tina Rivers Ryan’s editorial helm, Artforum aims to regain its position as a trusted resource for critical writing on contemporary art. Ryan’s vision includes maintaining the magazine’s commitment to long-form criticism while embracing digital growth and live events to expand its reach and engage with a wider audience. Her leadership is expected to bring renewed energy and a fresh perspective to Artforum’s editorial direction.
Zachary Small’s coverage of the art world
Introduction of Zachary Small as a Times reporter
Zachary Small, a reporter for The New York Times, has been covering the art world with a focus on its relationship to money, politics, and technology. Small’s extensive knowledge and expertise in these areas have made him a respected voice in the field of arts journalism.
His specialization in reporting on art, money, politics, and technology
Small’s specialization in reporting on the intersection of art, money, politics, and technology makes his coverage relevant to Artforum and Tina Rivers Ryan’s appointment. His articles provide insights into the economic, political, and technological forces shaping the art world. Small’s reporting helps contextualize the challenges and opportunities that Artforum faces in the current art landscape.
Relevance of his coverage to Artforum and Ryan’s appointment
The coverage of Zachary Small is highly relevant to Artforum and Tina Rivers Ryan’s appointment. Small’s reporting sheds light on the complex issues facing the art world and helps readers understand the broader context in which Ryan’s leadership at Artforum will unfold. His analysis and reporting provide valuable perspectives that can inform discussions and inspire new ideas within the magazine.
Conclusion and future prospects
Summary of the article’s main points
Tina Rivers Ryan’s selection as Artforum’s new top editor marks a turning point for the magazine after a period of turmoil. Artforum’s history and reputation as a historic and prestigious art magazine play a significant role in understanding the significance of Ryan’s appointment. The turmoil at Artforum, including the firing of David Velasco, the resignation of long-time editors, and the artist boycott, has had a profound impact on the publication’s content and relationships with advertisers. Efforts to rebuild Artforum include the ownership of Penske Media Corporation and steps taken to address the aftermath of the turmoil.
Tina Rivers Ryan’s contributions to Artforum, her qualifications, and expertise for the top editor role, and the expectations for her leadership have been discussed. The coverage of Zachary Small adds an additional layer of relevance, providing insights into the broader art world landscape and the challenges and opportunities Artforum faces. Ultimately, Ryan’s appointment offers prospects for a revitalized Artforum and a future trajectory that embraces digital growth and audience expansion.
Implications of Ryan’s leadership for Artforum
Tina Rivers Ryan’s leadership has significant implications for Artforum. Her appointment signals a fresh start for the magazine after a period of controversy and turmoil. With her expertise in digital art and her commitment to critical discourse, Ryan is positioned to revitalize Artforum’s editorial direction and regain the trust of contributors, artists, and readers. The magazine’s future under Ryan’s leadership holds the promise of engaging content, expanded digital reach, and a renewed commitment to the highest quality long-form criticism.
Speculation on the magazine’s future trajectory
While the future of Artforum remains uncertain, the appointment of Tina Rivers Ryan offers hope for a positive trajectory. With her expertise and unique perspective, Ryan has the potential to steer the magazine towards a revitalized and inclusive future. The challenges of rebuilding Artforum’s reputation and attracting new advertisers will undoubtedly persist, but Ryan’s leadership and the support of Penske Media Corporation provide a solid foundation for the magazine’s revival. The art community eagerly anticipates Artforum’s future trajectory under Ryan’s editorial helm.
Article information and sources
The information and sources for this article are derived from the following publication: “Artforum Selects Tina Rivers Ryan as New Top Editor” by Zachary Small in The New York Times.
Publication details of the article
The article, titled “Artforum Selects Tina Rivers Ryan as New Top Editor,” was written by Zachary Small and published in The New York Times.
Credits and sources for the information provided
The information provided in this article is credited to Zachary Small’s article in The New York Times. Additional information may have been sourced from official statements and announcements from Artforum, Penske Media Corporation, and other relevant sources.
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